Hello! In the absence of Hugh Grant films I’m starting a new, somewhat lower maintenance blog project of just talking vaguely about stuff I’m liking at the end of the month. Although probably I’ll forget and end up doing it at slightly random times.
So, in no particular order: things I am liking, or have liked, in October.
You know how sometimes you really want to listen to a slightly melancholy-sounding guy with a really soothing (possibly Californian?) accent talk about a single video game franchise in an excruciating but fascinating depth for, like, three hours? Or is that just me.
In any case, the absolute king of slightly melancholy-sounding guys with a really soothing (possibly Californian?) accents talking about a single video game franchise in an excruciating but fascinating depth for, like, three hours is Noah Caldwell-Gervais.
I think the thing I like most about Noah, apart from the fact his videos are really, really long and his accent is really, really soothing, is that he manages to be relentlessly positive without being fanboyish. To the point it’s slightly depressing in that he manages to have these intense and meaningful experiences with videogames that I found mediocre at best (hi Tyranny).
His most recent video is an epic run-through of the entire Neverwinter Nights franchise which is completely amazing but only if you’ve spent quite a lot of time playing a very specific and not very well regarded RPG franchise from the early 2000s. Which, of course, I have.
The one thing I dislike about Noah is that literally every time I listen to one of his videos I immediately want to go and play the game that he’s talking about. But because his videos, while long, aren’t as long as say a full play-through of several games I’ll inevitably have listened to another video and, therefore, got interested in another game before I’ve finished with the game that the last video got me interested in.
I don’t know if he’ll translate if you don’t like video games (although he’s also done some interested travelogues as well) but his channel here, and if you’re not sure where to start I’d recommend starting with a game you’re familiar with but here are my top three favourite of his videos:
- No Man’s Sky in Close Critique and the follow up Deeper Horizons: A Comprehensive Re-Review of No Man’s Sky: Next (given how controversial NMS sky was in a community that I’m aware most of my readers pay no attention to I found his take refreshingly measured in its attempt to understand what the game was trying to be, rather than simply complaining about what it wasn’t)
- Tyranny and the Language of Power (he got way, way more out of this game than I did).
- Genre Orphans: LA Noir (I’ve probably over-identified with this video because it’s pitched as part one of a thematic series that only ever ran to two videos and Noah, man, I know how that feels. But, again, it’s an interesting take on a game that didn’t quite find its niche even though it probably should have – I also think it might be genuinely interested to people who are less interested in gaming qua gaming because LA Noir was very much an attempt to be cinematic in a way that wasn’t just having loads of non-interactive cut scenes between the shooting bits).
Strictly Come Dancing
I think this is the British equivalent of what you Americans call Dancing with the Stars, but I’m pretty sure we had it first. Like, at this stage, I’m pretty sure reality TV formats are our third biggest export. I have no idea what Dancing With The Stars is like but the impression I get is that it’s a lot more glamorous but a lot less beloved. Strictly is basically like bake-off except the contestants are D-celebrities at the start of the show instead of at the end of it, and obviously they dance, rather than making cakes.
It also has the least nasty “nasty judge” than I have ever seen, in the shape of Craig Revel-Horwood who occasionally says some slightly critical things and gets booed to hell by the audience. The other judges are a former prima-ballerina called Darcey Bussell (which is most posh British person name ever), the “queen of Latin” Shirley Ballas, and a walking cartoon character called Bruno Tonioli who, I swear, became a parody of himself about six years ago and is fast becoming a parody of a parody of a parody of himself. But who is, nevertheless, sort of delightful.
The basic entertainment loop of Strictly is that a celebrity does a dance, Craig says something mildly catty and everyone acts like he’s shot a puppy, Darcey says something supportive, loveyish and ultimately meaningless like “you gave this dance a beautiful feeling” or “you have a lovely air”, Shirley will pick up on something quite specific and technical that nobody will understand, and then Bruno will stand up, wave his arms and effusively praise the contestant through the medium of a mixture of increasingly tenuous analogies and something that comes perilously close to interpretative dance.
It’s stupid but I love it. And it makes me very, very happy.
Historical Belle Cosplay
Look at this. Isn’t it amazing?
Cosplay by: Athena’s Adventures. You can see more on her Instagram page.
I read a review of this that described it as a tale of “unremarkable lives gone slightly awry” which is kind of the model for every sitcom we’ve made in this country for the past three decades. But this is a superlative example of the form. It’s Mackenzie Crook (who is the skinny guy from the British version of The Office or the pirate with the wooden eye from Pirates of the Caribbean or the wildling who can control animals from GoT) playing a guy called Andy who is a metal detectorist and sort of wants to be an archaeologist but sort of doesn’t, and it’s very, very British.
I think the thing I like most about the show is its unrelenting love of its subject matter, which is this quintessential British combination of small communities, pointless hobbies, the countryside and the connectedness of things, be those things people or times or people through time.
And the other thing I really enjoy about Detectorists is that as, for want of a less aggrandising term, a work of art it has a tremendous unity of purpose. I’m super wary of talking about vision in any creative medium, really, because that way lies auteur theory and great man theory and a bunch of stuff I really don’t get on with. But actually producing a coherent vision isn’t something you need a single auteur to get and it isn’t even something a single auteur necessarily gets you. Most novels (barring the often undervalued contributions of editors, publishers and cover artists) have a single author but they don’t always have that coherence that makes everything fit together with a sense of shared purpose. TV shows, by contrast, are usually produced by a massive cast and crew but it’s still possible to get them all singing with the same voice. The impression I get from Detectorist is that it’s very much Mackenzie Crook’s baby (he is, in fact, a metal detectorist, he’s obviously really into the stuff that the characters in the show are really into) but without the other actors being on exactly the same page, the cinematography reinforcing every beat and theme and moment, without the goddamn theme (which makes me cry every time I hear it because I am that sentimental) it wouldn’t be what it is.
Basically, everything in this show reinforces what this show is. And, to paraphrase the creepy guy from Love Actually, that to me is perfect.
Here is the theme song, which tells you basically everything you need to know about the show, and whether you’ll like it.
Members of Professions Watching TV Shows About The Profession of Which They Are A Member
I mean, this is low-hanging fruit because, hey, guess what, House isn’t an especially realistic portrayal of being a doctor and Suits isn’t an especially realistic portrayal of being a lawyer. I am neither of those things and even I know that. I think what I like about this surprisingly large subcategory of YouTube reaction vids, though, is that the things you pick up on when you’re a specialist are completely different from the things you pick up on when you’re just a general armchair pedant. So you sometimes you get really interesting insights into things like what being a first year medical student is actually like or what particular bits of real law would be pertinent in well-known movie legal cases, which appeals to the nerd in me.
But what I like most, I think, comes back to one of the things I like most about Noah Caldwell-Gervais which is that, ironically, actual profession members are way less dickish about this kind of thing than the average YouTuber. Because most of the professions they make TV shows about are genuinely prestigious things people who are in those professions tend not to have a massive amount to prove. Which means you don’t get that thing you sometimes get on YouTube channels where people are just desperate to prove that they’re smarter than My Cousin Vinnie. Instead what you get is people who usually genuinely love the stuff they’re watching (because, hey, we live in a post-TV world and an awful lot of people who grew up to be lawyers and doctors grew up watching law shows and doctor shows) making interesting comments about how it reflects on their experiences. And, yes, sometimes you get the funny moment when they scream at the screen because somebody is doing something you would never ever ever ever ever ever ever ever do (watching real lawyers react to How To Get Away With Murder is particularly great in this regard) but you also get cool little nuggets of stuff you’d never thought of, like the fact that the bit that’s usually the end of the legal drama where the lawyer makes the exciting compelling argument is basically the beginning in a real court case because no matter how cool the thing you just said was the other guy is being paid a lot of money to find everything wrong with it.
I just love that you can buy mince pies from about the 28th September. I’m seriously tempted to stock on chocolate Santas and give them out to trick or treaters. Basically, people complain about the commercialisation of Christmas but, y’know what, I’m an atheist. So I’m just going to steer right into it. And what better way to celebrate a sort of arbitrary sense of happiness, good will, winter being fun, getting a lot of time off work and spending slightly too much money than by purchasing perishable goods that definitely won’t last until the season for which they were allegedly produced. Like, what gets me the most is that I go into shops and I look at the racks of Christmas puddings and bags of chocolate Brussels Sprouts (this is definitely a real thing, although it’s probably a bit British and probably a bit hipster) and think “who the hell are those for”, then I walk out the shop with two bags full of that shit and then I think “oh yeah, they’re for people like me.”
And while I’m on the subject of stupid holiday themed food, I do want to give an honourable mention to Mr Kipling’s Terrifying Toffee Whirls. Because I honestly defy anyone to come up with a lazier attempt at spooky Halloween branding than just putting the word “terrifying” in what is otherwise the ordinary name of your biscuit. I mean, what’s next Diabolical Digestives, Creepy Custard Creams, Horrifying Hobnobs, Petrifying Pink Wafers.
And I’ve now realised that I could carry on doing spuriously Halloweeny biscuit names literally forever (Ghoulish Garibaldis, Boo-ourbons) so I should probably call it there.
Happy October everyone. Tell me what you’ve been enjoying in the comments.
I mean, or don’t. It’s entirely up to you.
Wait, one more: Party Rings … Of Deaaaaaaath.